A rich and evocative work, combining performance, film and sound art.
The set located us in an ambiguous, atmospheric space, whose concrete walls and timber floors gave exuded a kind of abstracted reality. The lighting design was subtle yet dynamic – responding to, and integrated with, the sound and video designs.
“The set, too, plays its part… giving proceedings an intimate feel…” – SABOTAGE REVIEWS
Written and performed by Melanie Wilson
Design by Ben Pacey and Melanie Wilson
Film and projection by Will Duke
Sound design by Melanie Wilson
Produced by Fuel
Photographed at QMUL London by Al Mass. Additional photos by Ben Pacey
