A complex and beguiling contemporary dance piece by Leila McMillan, in which a ‘constellation of portraits’ form and unform, as family connections are rediscovered, celebrated and tested.
Elements of the lighting design are improvised, allowing me to respond live to the improvised sections of movement. Following the rhythms, ebbs, and flows of the seven dancers and live musucian is a beautiful and often almost meditative…
3 december 2015 Lilian Baylis studio, London WILD CARD at Sadler’s wells presents: Leila McMillan “this way, that way” Two choreography: Lucid Family portrait
Lidia Crisafulli took these lovely photos during the dress rehearsal for our 2015 performances at Sadler’s Wells Lilian Bayliss studio.
In 2016, Family Portrait is part of Dance4’s NEAT Festival at Nottingham Contemporary.
Photo © Lidia Crisafulli 2015.
The Furies is an extraordinary performance/gig inspired by Clytemnestra’s Greek revenge myth, accompanied by live guitars and drums. I saw an early R&D of the show before I was involved, and knew immediately that I could make a design which would transform, elevate and amplify the audience experience.
And, luckily, I got the chance to make it.
“They’re assisted by Ben Pacey’s excellent lighting, which guides the action as well as capturing the three Furies in stunning and otherworldly illuminations.” – A Younger Theatre
I originally lit Kiln Ensemble‘s The Furies back in 2011, when the company were still Kindle Theatre. Since then, we’ve taken it to tunnels, corn exchanges, warehouses, festivals (inlcuding Mayfest, Pulse and GIFT), and played Summerhall twice: in 2014 and (with the full lighting design) in 2015 for the British Council Showcase.
Incredible performances and vocal technique, live music, dyanmic coloured light, haze machines and a late-night-and-up-for-it audience… It’s still one of my favourites.
“There is something so wildly unreserved about it that it sends you reeling into the night more than a little dazed.” – The Guardian
Photos © Bianca Harvey 2011, Alicja Rogalska 2012, Joanthan Blackford 2014.
This Last Tempest is the most recent of my regular collaborations with Uninvited Guests .
In this performance, desribed as “part theatre, part gig” by the company, Uninvited Guests take up the stories of Ariel and Caliban, just as Shakespeare’s The Tempest leaves them: alone on the island. Left to themselves, and finally given the freedom to “do anything”, Ariel and Caliban begin to consider what the future might hold.
That “part gig” desription is crucial, letting in a world of opportunity to create lighting which can be subtle one minute, and outrageously bold the next.
“A combination of intense imagery & high energy characterisation. Loved it. Boom!” – AUDIENCE MEMBER
The show is produced by Fuel, and continues to tour in 2016.
Photo © Ben Pacey 2014
Collaborating with Sleepdogs, I spent a stimulating week in Bristol, helping to develop ideas for the visual aesthetic of their new project, Dark Land Light House.
It’s a sci-fi/horror piece: a fairly rare (but really exciting!) genre in contemporary theatre, and totally appropriate to be exploring within the generic darkness of the black-box studio.
The kind of space where – just beyond the light – there really might be anything…
Photo © Paul Blakemore, 2014.