A Journey Around My Skull

DESIGN, LIGHTING DESIGN, PERFORMANCE

I collaborated with Kiln Ensemble to design the set and lighting for this solo performance by Olivia Winteringham, one of Kiln’s co-artistic directors.

Created on a tiny budget, the design locates the performance in an ambiguous, slightly unheimlich room: part consultant’s office, part operating theatre, part voyeuristic medical dream-space.

For a key moment in the show – live brain surgery(!) – I made a bespoke “head” for Olivia to “operate” on. Adapted from a retail display moulding, I designed and installed internal LEDs and biaural microphones.

Photos © Johnathan Blackwood, 2014.

Autobiographer Award Nomination

LIGHTING DESIGN, PERFORMANCE

ab_award

My lighting design for Melanie Wilson‘s Autobiographer has been nominated in the ‘Best Lighting Design’ category of the Offies (the Off West End Theatre Awards) 2012… alongside a nomination for Melanie herself for ‘Best Sound Design’.

It’ll be quite a while before we hear any more about this, but it’s great news, and really pleasing to see this brave and beautiful project getting some recognition.

Photo © Gemma Riggs 2012

Cupid

LIGHTING DESIGN, PERFORMANCE

cupid_jaskirt

There’s some great photos of Cupid, an interactive performance installation by Subject to_change, on the website of photographer Jaskirt Dhaliwal. She took these images during one of the first performances, at Fierce Festival 2012.

My lighting design supports the performance through subtle and sometimes less subtle means. The design includes an bespoke – and epic! – animated starscape, which Abigail and I custom-made using hundreds coloured LEDs.

Photo © Jaskirt Dhaliwal 2012

Treasured – A Secret Journey

LIGHTING DESIGN, PERFORMANCE, WRITING

Created by the company, with direction and facilitation by Jane Packman, Treasured – A Secret Journey is a unique performance experience for one person at a time.

The piece has the feeling of a gift. It places each audience member at the centre of the performance: they become the protagonist in a narrative which they chose. It’s a rich, powerful experience, yet also extremely gentle… almost passive. The company worked hard to make sure that people felt comfortable and enjoyed themselves. Audiences are not under pressure to “perform” or “interact”.

There are three short narratives – each inspired by one of three beautiful pieces of sculptural jewellery which were commissioned for the project from three West Midlands-based makers – which audiences can chose.

On this project I wrote one of the three stories (inspired the “ivy” – a dark grasping PVC piece made by Louise Bryan), collaborated/devised, designed lighting, and production managed.

Photo by Chris Keenan, 2010.